Quo vadis ars?

The situation in the cultural sector has been described and discussed in numerous interviews, corona diaries, comments and reports in the past few weeks. Our annotated collection of currently 193 sources gathers voices from different sectors and media. This creates a picture of the cultural landscape in crisis, whose temporal transformation can be explored interactively via a dedicated tag cloud.


 

Aufgestaute Kreativität . Klassik-Profis in der Pandemie
Pent up creativity . Classic professionals in the pandemic

by Frederik Hanssen (02 Feb 2021)
Original source: Tagesspiegel

At the annual press conference of the German Orchestral Association this year, everything revolved around the nationwide silence in theaters and concert halls. Although short-time work is securing jobs in many city and state theaters and, with the exception of a few municipalities, no budget cuts have yet been felt this year, managing director Gerald Mertens urges that the houses must be opened as soon as possible. Thereby not country-wide incidence values should be taken as a basis, but those of the respective district. This early new start is especially important for f reelance musicians, who have been without income for almost a year. According to a representative survey, around 30 percent are already considering a change of profession. A temporary suspension of the artists' social security fund could help this professional group through the crisis. In the long term, an unemployment insurance system should be considered, which could be modeled according to the bad weather allowance of the construction industry, in order to avoid a similar critical situation in the future.

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tag Deutschen Orchestervereinigung Kurzarbeit stiller Tod Planungssicherheit Inzidenzwert Künstlersozialkasse Arbeitslosenversicherung
Music Bericht

Stille mit Vorsatz . Verbale Aufrüstung schlägt nötige Differenzierung: zur Kritik der Kulturbranche am zweiten Shutdown
Silence with intent . Verbal armament beats necessary differentiation: on the culture industry's criticism of the second shutdown

by Hartmut Welscher, Christian Koch (04 Nov 2020)
Original source: VAN Magazin für klassische Musik

The fact that the November lockdown hits art and culture hard, even though excellent hygiene concepts were developed to protect the public, divides the cultural world in Germany. The displeasure was expressed in open letters and articles in newspapers and social media. Only a few balanced voices can be heard at present. Federal and state governments are not innocent of this situation, as they have caused displeasure by failing to provide adequate justification as to which cultural and economic sectors are to be closed and which may remain open. As was already the case in March, many cultural workers feel offended by politics being assigned to professions that are not systemically relevant. So they feel that their function for society is not valued. Many now joined the statement of the trumpeter Tim Brönner, who complained that the cultural industry had no lobby, and tried to make themselves heard. The verbal armament, however, conceals the fact that the pandemic constitutes a twofold threat to artists: in addition to the material threat, many of them increasingly find themselves in a crisis of identity when they are no longer allowed to perform or interact with an audience. And so artists are currently making themselves heard loud and clear, but are still unable to find their way around.This applies not only to culture, but also to politics, which is currently more likely to stumble forward than to steer the processes in a targeted manner.  And so the authors feel uncomfortable when Finance Minister Olaf Scholz keeps granting new aid programs. Public funds are limited, and the first municipalities are already making cuts.
For the cultural industry, the question now is where the development is heading. There will hardly be a return to the status quo-especially since it was not a good one before the crisis. At the beginning of the pandemic, many musicians were happy to have escaped the »hamster wheel of global competition and competitive pressure«. Can't quantity leave the field to quality? In this way, the cultural sector could at the same time make its contribution to solving the ecological question.

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tag Klassik Musikbranche November-Lockdown Lagerbildung Lobby Sinnkrise Existenzkrise Quo vadis ars Stille Hamsterrad
Music Bericht

Eine Frage der Klimaanlage? . Corona und Kulturveranstaltungen
An air-conditioning issue? . Corona and cultural events

by Reinhard J. Brembeck (22 May 2020)
Original source: Süddeutsche Zeitung

Even before the crisis, the promotion of the independent art scene was not very lavish. Currently, the survival of the arts are not considered to be of relevance in politics. While aid for Lufthansa and the easing of restrictions for football matches are being discussed, support for artists is only hesitant. Even large orchestras such as the Berlin Philharmonic Orchestra are going into short-time work. Although the concert halls don't want to become a virus hotspot, the ban on exercising their profession is ruining them financially. Houses like the Festspielhaus in B aden-Baden or the Berlin Philharmonic have to generate a large part of their income themselves. Even rich institutions soon go bankrupt. In this situation, the commentator asks the question whether the artists should not put forward their demands just as shamelessly as other commercial enterprises.

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tag Konzerthäuser Berufsverbot Fluggesellschaften Hygieneregeln
Music Kommentar

Kultur in der Corona-Krise . Erwacht endlich aus der Schockstarre!
Culture during Corona Crisis . Finally wake up from freeze mode!

by Marco Frei, Christian Wildhagen (01 May 2020)
Original source: Neue Züricher Zeitung

Translation

tag Klassische Musik Konzerthäuser Gleichbehandlung Bundesliga Großveranstaltungen Onlineangebote Hygieneregeln
Music Beitrag

Musik gegen die Stille
Music against silence

by Jens Lehmann (13 Mar 2020)
Original source: rbb24

All concerts are cancelled, but the orchestras want to play and consequently relocate their concerts to the net. The helplessness of the organisers can be seen on these online presentations, however, and Simon Rattle sums it up at the concert of the Berlin Philharmonic Orchestra: At a time when people have to keep their distance, you want to give comfort with music. Nevertheless, the excellent range of concerts on offer should not hide the fact that musicians and ensembles find themselves in a situation that threatens their very existence.

tag Neue Musik Geisterkonzert Simon Rattle Berliner Philharmoniker
Music Kommentar

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The signet of facing arts joining the faces of STORM.

Facing arts is a non-profi project. Feel free to support it and get in touch with us!

The Team

Facing arts is a projet by STORM.

STORM is an acronym playing with the initials by Miriam Seidler & Tim Otto Roth, who are hit both by the Corona crisis. Dr. Miriam Seidler is a scholar in German literature and currently works as specialist in public relations. Dr. Tim Otto Roth is a scholar in art and science history and works as a conceptual artist and composer. He is known for his huge projects in public space, cooperations with leading scientific institutions and his immersive sound and light installations. Miriam and Tim collaborate regularly for years. With facing arts they reaslize their first common art project.
You find more informatin on both initiators on www.miriamseidler.de and www.imachination.net.

Special thanks to Paco Croket for the tag cloud programming!

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